Ready to deploy

See the appointment funnel we built for Iconic Smiles below.

The ads, pages, emails and video scripts are below. Want us to run it? You only pay for qualified prospects who show up.

Pay per result
no monthly retainer
100%
performance-priced
Yours
to keep, regardless
Walkthrough

What we found when we studied Iconic Smiles.

Before writing a word, we audited your positioning, competitive landscape, and audience signals. Three findings shaped every deliverable below, and none of it's templated.

Your Positioning

Your edge: Dr El-Azzi is a Digital Smile Design (DSD) master clinician + MSc Oral Surgery and Implantology (Marconi University). That thread runs through every piece of content below.

Research

Every deliverable below is built from research into Iconic Smiles's business, audience, and competitive landscape. This package isn't templated.

Your custom-made deliverables.

Every piece is finished, written in your voice, and yours to keep regardless of whether we work together.

Read the full text · tap any row to expand
Image Ads 5 image ads
I
Iconic Smiles
Sponsored
Natural-looking veneers start with more than a colour choice. See how shape, edge and shade are planned together.
Natural is more than a shade ad creative
ICONICSMILES.COM.AU
Natural is more than a shade
See the design details
Learn More
LikeCommentShare
I
Iconic Smiles
Sponsored
Digital Smile Design helps you discuss shape and proportion before porcelain treatment begins.
See the smile direction first ad creative
ICONICSMILES.COM.AU
See the smile direction first
Discuss the direction
Learn More
LikeCommentShare
I
Iconic Smiles
Sponsored
A natural-looking smile direction considers your brief, your teeth and the shade beside them.
What natural actually means ad creative
ICONICSMILES.COM.AU
What natural actually means
See the three inputs
Learn More
LikeCommentShare
I
Iconic Smiles
Sponsored
A shade tab makes one point visible: white still has variations. See how the smile direction is planned.
White has more than one shade ad creative
ICONICSMILES.COM.AU
White has more than one shade
See the shade choice
Learn More
LikeCommentShare
I
Iconic Smiles
Sponsored
Shape, edge and shade change how a smile reads. See how Iconic Smiles works through those details before treatment.
Avoid the preset smile look ad creative
ICONICSMILES.COM.AU
Avoid the preset smile look
Inspect the details
Learn More
LikeCommentShare
Ad creative
Concept

Angle
Primary text
Headline
Description
Who it speaks to
Video Ad Scripts 5 angles
Angle 1: A veneer should look like it belongs on your face

Variation 1 of 2
The close-up test
Headline: What Makes a Smile Look Designed?

Hook options:
1. TWO SMILE CROPS fill the screen as the clinician asks, "Which one looks designed?"
2. A CLINICIAN covers one printout: "Pick the detail making this feel designed."
3. MACRO TOOTH DETAIL appears with a tap sound: "Would you have noticed the edge?"

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | Locked phone shot. The clinician holds two genuine, permission-cleared published smile printouts close to lens. | "Quick test. What makes either smile look designed?" | Persistent black topic label: "CAN YOU SPOT IT?" Word captions sit below the printouts. |
| 0:03-0:08 | The clinician lowers printout A, then B, giving the viewer a full beat on each. | "Most people look at colour first. I look at shape." | "COLOUR?" appears, then is crossed out. "SHAPE" replaces it. |
| 0:08-0:14 | Macro crops punch in on the front-tooth edges. A coral line traces one edge, then the other. | "The edge, the tiny asymmetry and the way it fits the face do more work than 'white'." | Phrase captions land beside the teeth, never over them: "edge / asymmetry / face". |
| 0:14-0:21 | Cut back to clinician; a deidentified Digital Smile Design screen slides in beside them. | "That's why Iconic Smiles plans the smile digitally before porcelain treatment moves ahead." | Topic label stays fixed. Caption: "planned before treatment". |
| 0:21-0:27 | Cursor toggles between two illustrative design directions. | "We're working out what still looks like you." | Small qualifier: "Illustrative preview. Suitability and outcomes vary." |
| 0:27-0:31 | Hold on the two design directions. The clinician points down once. | "If you want to see how that planning works, the link shows you." | Soft button-style text fades in: "See the design process". |

Shoot grammar: Calm challenge, not a quiz-show performance. Keep room sound and a low neutral bed; cut every two to three seconds after the opening hold. Use only genuine clinic-published images with written paid-media permission, and never label an image as a veneer case without case-level proof.
Variation 2 of 2
Brighter or softer
Headline: Which Smile Still Feels Like You?

Hook options:
1. TWO VENEER SAMPLES tap down beside a model while the voice asks, "Brighter, or softer?"
2. ONE SAMPLE turns edge-on in a gloved hand: "This tiny choice changes the whole smile."
3. A SPLIT DESIGN fills the phone: "Same face. Two very different directions."

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | Macro shot. Gloved fingers place two illustrative samples beside the same tooth model. | Ceramic taps land without speech. | "BRIGHTER" appears over sample A; "SOFTER" follows over sample B. |
| 0:03-0:08 | Samples tilt toward the light; camera stays close enough to show edge and translucency. | "These can both be porcelain, yet they read differently." | Small arrows label "edge" and "light". |
| 0:08-0:14 | One sample is tried against the model, removed, then replaced with the other. | "This one feels cleaner and brighter. The other keeps more softness." | Caption cards alternate with the hand movement; no sentence exceeds four words. |
| 0:14-0:21 | Cut to a deidentified design screen showing two illustrative directions side by side. | "Iconic Smiles uses Digital Smile Design to discuss shape and proportion before treatment." | "Illustrative design directions" stays under the screen. |
| 0:21-0:27 | Thumb swipes between A and B. A beat passes before either direction is selected. | "Ask which direction still feels like you." | A coral question mark sits between both options. |
| 0:27-0:31 | Return to the model with both samples in frame. | "See what goes into that choice through the link." | "See the planning choices" appears beside the samples. |

Shoot grammar: Hands never stop moving until the final hold. Record real ceramic taps and quiet room tone; keep captions sparse and outside the dental detail. Samples are illustrative, not a promised result.

Angle 2: See the smile design before treatment starts

Variation 1 of 2
The unfinished smile
Headline: Your Smile Starts on Screen

Hook options:
1. AN UNFINISHED TOOTH OUTLINE rotates behind the clinician: "This smile is still being designed."
2. THE CURSOR moves one edge by a millimetre: "Watch what this tiny change does."
3. A RAW SCAN spins full-screen before the presenter steps in: "This is where the plan starts."

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | Full-screen deidentified design with one front tooth visibly unfinished. Presenter points into frame from the side. | "This smile isn't finished. Good." | Caption locks beside the gap: "STILL BEING DESIGNED". |
| 0:03-0:09 | Presenter steps in front of a rotating scan; background changes as they point to the smile line. | "First comes the scan. Then shape and proportion are worked through on screen." | Three-word phrase captions: "scan / shape / proportion". |
| 0:09-0:15 | Cursor adjusts the unfinished edge. Screen alternates between two illustrative versions. | "That tiny edge can make the smile feel softer or much more uniform." | Coral tick appears only after each version holds for a beat. |
| 0:15-0:22 | Presenter remains foregrounded while the design changes behind them. | "Iconic Smiles uses Digital Smile Design so those decisions can be discussed before treatment proceeds." | Safe-zone caption: "discuss before treatment". |
| 0:22-0:27 | One illustrative direction fills the screen, then shrinks back into the software view. | "A preview helps plan the direction. It doesn't guarantee the final result." | Compliance line remains readable for the whole beat. |
| 0:27-0:32 | Presenter points to the link area; unfinished and refined designs sit side by side. | "The link shows what happens inside the planning process." | "See inside the planning process". |

Shoot grammar: One measured presenter, no beauty-light gloss. Change background footage every three to four seconds and keep the pointer gesture tied to a real object on screen. Use only deidentified clinic material.
Variation 2 of 2
Which one feels like me?
Headline: Pick the Direction First

Hook options:
1. PATIENT-STAND-IN turns the tablet to camera: "Which one still looks like me?"
2. CLINICIAN swipes between previews: "You get a say in this part."
3. ONE TOOTH gets pinched smaller on screen. The stand-in says, "Less perfect. More me."

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | Patient stand-in swivels a tablet toward camera, two labelled illustrative previews visible. | Patient: "Which one still looks like me?" | Speaker captions use coral for patient, black for clinician. Small label: "Dramatised consultation". |
| 0:03-0:07 | Clinician leans in, studies the screen, then looks at the stand-in rather than camera. | Clinician: "What feels wrong with the other one?" | Caption follows the clinician, not the tablet. |
| 0:07-0:11 | Stand-in pinches one front tooth on the preview and half-smiles. | Patient: "Too even. Like someone ironed my smile." | "TOO EVEN" appears for one beat, then shrinks. |
| 0:11-0:15 | Clinician swipes back to the softer direction and nods. | Clinician: "So keep the character. Soften the edge." | Two arrows point to the exact edge being discussed. |
| 0:15-0:20 | Both compare the screen with a neutral mirror shot; no dental result is shown. | Patient: "That one. It still feels like mine." Clinician: "That's the useful answer." | Caption: "direction chosen before treatment". |
| 0:20-0:26 | Close-up of cursor making the agreed illustrative adjustment. | Clinician: "Iconic Smiles uses Digital Smile Design to work through choices like this." | Small qualifier: "Illustrative preview. Outcomes vary." |
| 0:26-0:30 | Stand-in keeps the tablet; clinician gestures toward the link area. | Patient: "Can I see what happens next?" Clinician: "That's in the link." | "See the consultation process". |

Shoot grammar: Allow natural overlap and one genuine pause after "too even". The stand-in never claims to be a patient or describes an outcome. Film in a real consultation room with quiet room tone and no comic sound effects.

Angle 3: The finished smile starts with planning nobody sees

Variation 1 of 2
Near the end
Headline: This Is Near the End

Hook options:
1. A REAL INSERT-STAGE MACRO opens cold: "This is near the end."
2. PLACEMENT MARKS fill the phone while the voice asks, "Want to see what came before this?"
3. THE FINISHED SMILE flashes once, then the footage rewinds: "Fitting was only one stage."

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | Consent-cleared clinical macro opens without a clinic intro. Keep it clean, close and non-graphic. | "This is near the end." | Large card: "NEAR THE END". |
| 0:03-0:07 | Footage visibly rewinds into a deidentified design screen. | "Before the visible part came the plan." | Reverse counter runs: "04 → 03". |
| 0:07-0:12 | Scan rotates; cursor marks the smile line. | "Assessment leads into the scan and shape work." | One stage word lands per cut. |
| 0:12-0:17 | Illustrative preview switches between two directions. | "Then the details are reviewed before treatment moves ahead." | "preview ≠ guarantee" remains small but legible. |
| 0:17-0:23 | Cut to genuine shade-selection footage with the tab held beside the teeth. | "Shade is another choice, and 'white' still has variations." | Coral circle tracks the real shade tab. |
| 0:23-0:28 | Return to the non-graphic clinical macro, then a consent-cleared published smile crop. | "The fitting makes more sense when you see what came first." | Timeline completes: "plan → assess → shade → fit". |
| 0:28-0:32 | Hold on the timeline over clinic footage. | "The link walks through the planning stages." | "See the stages". |

Shoot grammar: Visual-led reverse chronology, with one calm sentence per stage. Soften clinical room sound under a neutral beat. Written consent is mandatory; avoid blood-forward footage and show only stages genuinely used.
Variation 2 of 2
Two edges, one model
Headline: The Smallest Choice on the Model

Hook options:
1. TWO SAMPLE EDGES meet the same tooth model: "Rounder, or flatter?"
2. ONE THIN SAMPLE turns in profile: "The important part is the edge."
3. A GLOVED HAND swaps A for B without explanation; ceramic taps carry the first beat.

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | Macro profile of two illustrative veneer samples. A gloved thumb alternates their edges under the light. | Two ceramic taps with no voiceover | "A: ROUNDER" beside "B: FLATTER" |
| 0:03-0:09 | Sample A rests against the same model tooth, then sample B replaces it in the identical position. | "Same model. Two edges. Very different character." | Split-second labels follow the samples; the model stays unobstructed. |
| 0:09-0:15 | Camera moves overhead. A coral line traces each edge shape. | "The edge changes how uniform or soft the tooth reads." | "uniform" sits by B; "soft" sits by A. |
| 0:15-0:21 | Cut to a deidentified design screen showing equivalent illustrative shape directions. | "Digital Smile Design gives the clinic a place to discuss that direction before treatment." | "illustrative planning view" stays under the screen. |
| 0:21-0:26 | A and B return side by side. A finger hovers, then deliberately refuses to choose. | "There's no universal winner. A useful choice is planned for the person." | Question card: "Which feels more like you?" |
| 0:26-0:30 | Samples rest beside the model; room sound returns. | "See how those small choices enter the plan through the link." | "See the design choices". |

Shoot grammar: Keep the object continuous across every cut and exclude any milling, manufacture or in-house veneer production. Voiceover stays sparse and descriptive, with every sample clearly illustrative.

Angle 4: Smile first in the next photo

Variation 1 of 2
Headline: Same Smile Style?

Hook options:
1. THREE PUBLISHED SMILES flash in quick succession: "Same smile style?"
2. ONE SMILE freezes on the tooth edge: "The difference is hiding here."
3. SHAPE, EDGE and SHADE appear over three separate crops before the voice begins.

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | Flash official published smile images `237add.jpg`, `959b.jpg` and `fd5d.jpg`, each for a fraction of a second, then freeze all three. | "Same style?" | Large question appears only after the third image. |
| 0:03-0:09 | Punch into the first smile's front-tooth proportions. | "Start with shape: long or compact, square or soft." | One-word labels sit in the margins, not over the teeth. |
| 0:09-0:15 | Swipe to the second smile; trace the visible incisal edges. | "Then the edge. Tiny irregularity can stop a smile reading like a row of copies." | Coral trace draws once, then disappears. |
| 0:15-0:21 | Move to the third smile and compare visible shade character without rating it. | "Shade goes beyond 'white' because it changes how the whole smile reads." | "shade has variations" appears as a small note. |
| 0:21-0:26 | All three images return in a clean contact sheet. | "Iconic Smiles says its veneer designs can range from brighter to more natural directions." | Source-backed caption: "Published clinic imagery. Individual outcomes vary." |
| 0:26-0:30 | Contact sheet shrinks beside a deidentified Digital Smile Design screen. | "The link shows how that direction is planned." | "See the planning approach". |

Shoot grammar: Educational slideshow, not a testimonial or before-and-after narrative. Use the exact official image files and retain asset provenance. Confirm written paid-media permission; no filters, confidence claims or typicality language.
Variation 2 of 2
The tooth she always saw
Headline: One Detail in Every Photo

Hook options:
1. A FINGER covers one tooth on a consent-cleared print beneath "The detail your eye finds first."
2. THE PRINT folds across the smile, then reopens with one coral circle.
3. ONE TOOTH stays hidden while the rest of the photograph is revealed around it.

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | Silent overhead shot. A finger covers one tooth on a genuine, permission-cleared printed smile photo. | Paper drag and room tone only. | Card 1: "THE DETAIL YOUR EYE FINDS FIRST". |
| 0:03-0:07 | Hand removes the finger, circles the detail with a coral pencil, then flips the print. | Pencil scratch without voiceover | Card 2: "NAME THE DETAIL" |
| 0:07-0:12 | Back of the print shows three handwritten words: "shape / edge / shade". The pencil ticks one. | A soft pencil tap supplies the beat | The handwritten list becomes card 3 |
| 0:12-0:17 | Cut to a deidentified illustrative design preview. The selected detail changes once. | Low music enters without voiceover | Card 4: "PLAN IT BEFORE TREATMENT" |
| 0:17-0:22 | Return to the print beside the preview; hand slides both into a neat side-by-side. | Paper movement remains audible. | Small qualifier: "Illustrative preview. Suitability and outcomes vary." |
| 0:22-0:25 | Finger taps the link area once and leaves frame. | Single tap sound. | Card 5: "SEE HOW THE PLAN STARTS". |

Shoot grammar: No speech and no paragraph cards. Keep every card to six words or fewer, preserve tactile paper sound and pause for a full beat before the design change. Use no synthetic patient or altered dental result.

Angle 5: One digital team carries the design through

Variation 1 of 2
The file becomes a plan
Headline: This File Starts the Smile Plan

Hook options:
1. A ROTATING SCAN fills frame: "This file starts the smile plan."
2. THE CURSOR marks one tooth edge: "This is where the team starts arguing usefully."
3. A TABLET passes in front of the presenter, revealing the scan behind it.

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | Rotating deidentified scan fills the frame before the presenter appears. | "This file starts the conversation." | Caption orbits outside the scan: "SCAN". |
| 0:03-0:08 | Presenter steps in front of scan footage and points to the smile line. | "It gives the team one object to assess instead of a vague request for 'better teeth'." | "one shared reference" locks in the top safe zone. |
| 0:08-0:14 | Background changes to an illustrative Digital Smile Design view. | "Shape and proportion can be worked through on screen." | Kinetic phrases appear beside the cursor: "shape / proportion". |
| 0:14-0:20 | Cut to two team members reviewing the same tablet; no patient identity is visible. | "The same plan can be reviewed before treatment moves ahead." | Coral route line moves from scan to screen to review. |
| 0:20-0:26 | Presenter returns; design screen stays behind them. | "Iconic Smiles uses Digital Smile Design for that planning. A preview guides discussion; it doesn't guarantee an outcome." | Compliance line holds for the full sentence. |
| 0:26-0:31 | Scan and design sit side by side, then freeze. | "See the workflow behind the plan through the link." | "See the digital workflow". |

Shoot grammar: The digital file remains the visual protagonist; the presenter only links stages. Change the background every three seconds, use genuine deidentified clinic footage and avoid any manufacture or speed claim.
Variation 2 of 2
Your turn
Headline: One Plan, Reviewed Together

Hook options:
1. A SCAN TABLET slides across frame as team member one says, "Your turn."
2. THE TOOTH MODEL lands in team member two's hands: "This isn't the bit I decide alone."
3. BOTH TEAM MEMBERS point to different details on the same screen: "You saw the edge?" "I saw the bite."

| Time | Picture and action | Spoken audio | On-screen behaviour |
|---|---|---|---|
| 0:00-0:03 | First teammate slides a tablet with a deidentified scan across the consultation table; their colleague catches it. | One: "Your turn." Two: "What am I checking?" | Speaker-colour captions follow the moving tablet. |
| 0:03-0:08 | Team member one points to a front-tooth edge; team member two rotates the scan. | One: "The shape." Two: "I'm checking how it sits in the whole smile." | Two small arrows appear on the exact details. |
| 0:08-0:13 | Two glances overlap. Team member one reaches for the tablet; two keeps it for another beat. | One: "So, change it?" Two: "Discuss it. Then change it." | "DISCUSS → ADJUST" appears with the exchange. |
| 0:13-0:19 | Cutaway to a deidentified design screen. Cursor makes one illustrative adjustment. | One: "That's why the handoff matters." Two: "Same plan. Different checks." | Route line links "scan / design / review". |
| 0:19-0:25 | Both stand beside the same screen, no staged shoulder-to-camera pose. | One: "Iconic Smiles uses Digital Smile Design to work through those choices before treatment." | Small note: "Illustrative preview. Outcomes vary." |
| 0:25-0:30 | Team member two slides the tablet toward the viewer. One gives a quick nod. | Two: "Want to see the workflow?" One: "It's in the link." | "See how the plan is reviewed". |

Shoot grammar: Purposeful movement, one interruption and one held reaction. Keep the exchange conversational, never biographical. Show real team roles and genuine planning steps only; no claim that every case follows an identical workflow.

Long-Form Explainer Video Script 1 complete script

# VSL Script, Iconic Smiles

Offer: Porcelain veneers and Digital Smile Design (cosmetic smile makeover); free smile consultation

## Headline

Years from now, you're still catching your reflection and liking what smiles back

If your smile is the one thing you'd change about a photo before anyone else even notices it, this is worth a couple of minutes.

Most people who come to see us have spent years learning to smile with their lips closed. They cover their mouth when they laugh, they angle away from the camera, and they've talked themselves into believing that's just how it stays. It doesn't have to. A natural-looking smile you're actually proud of is a lot more within reach than you'd think, and it doesn't have to look like it belongs to someone else.

The reason people put it off usually comes down to one fear, and it's a reasonable one. You've seen the fake veneers. The too-white, too-bulky, all-the-same-size look that reads as "work done" from across the room. Nobody wants that. If getting a new smile means trading one thing you're self-conscious about for another, it isn't worth it, and you already know that.

That fear is exactly the problem we set out to solve, and it's why the way we design a smile is different from what you might have seen elsewhere. We're a Digital Smile Design practice, and Dr El-Azzi is a DSD master clinician, which means the smile gets designed digitally around your actual face before anything ever touches a tooth. The shape and the proportions and the way it sits when you talk and when you laugh are all planned to suit you specifically rather than dropped on top of you from a catalogue. That's how you end up with veneers that look like teeth you were always meant to have, not teeth that look like veneers.

We've had a lot of practice getting that right. The clinic holds a 5 star rating across 279 Google reviews, and patients travel from all around Australia to have their veneers done here, which for a smile-design practice is about the best signal there is. When people are willing to get on a plane for the way their smile turns out, you're doing the aesthetic part properly.

There's a reason it's worth looking at this now rather than filing it away for someday. A smile you're happy with changes how you carry yourself in a way that's hard to describe until it happens to you. One of our patients, Diana, put it this way:

> My new teeth have transformed my smile and restored my confidence. I seriously couldn't be happier!!

What tends to surprise people is that the teeth are only half of it. The bigger change is that you stop managing your face in every conversation, and you get a bit of yourself back.

A smile makeover with us is pretty straightforward from your side. It starts with a consultation, where we sit down and go through what's bothering you about your current smile and what you'd want it to look like instead. From there the smile is designed digitally, so you can see where it's heading before you commit to anything. Whether that's a full set of porcelain veneers, composite bonding on a few front teeth, or a broader makeover, it's built to match the natural, high-aesthetic result you came for. Everything happens under one roof with the same team, so you're not being handed around between providers halfway through your own treatment.

Now, a few things probably go through your mind when you think about this, so let me deal with them straight. The first is whether it'll look natural, and that's genuinely the whole point of how we work. We have every style, from a brighter Hollywood look through to the most subtle natural finish, and we design to what suits your face, so bulky and obvious is the thing we're actively steering you away from, not toward.

The second is the dentist itself, because plenty of people who want a nicer smile also dread the chair. That's more common than you'd think, and the clinic is built around it. Patients describe walking in and feeling like they've stepped into a 5 star resort, with the calm atmosphere and the little things that take the edge off. One patient who used to dread the dentist said the whole team completely changed her mind. If nerves are part of what's held you back, you won't be the first person we've looked after who felt exactly that.

The third is cost, and the reason we don't put a single number on a smile makeover is that no two are the same. Some people want two teeth sorted, some want a full transformation, and quoting one price for both would only mislead you. That's what the consultation is for. You get a clear picture of what your specific case involves before you decide anything at all.

This isn't for everyone, and I'd rather be upfront about who it suits. If you're looking for the cheapest possible option and the aesthetic result is a distant second to price, we're probably not your practice, and that's fine. Where we're a good fit is if you care about your smile looking genuinely natural, you want it done properly by a team that does this every day, and you'd rather get it right once than chase a bargain and regret it. If that's you, the next step is simple.

Fill in the short form just below this video and answer each question as straight as you can. It only takes a minute, and it tells us a bit about your smile and what you're after. Depending on what you tell us, we'll invite you to book a consultation, where you'll sit down with us and get a real sense of what's possible for your smile before you've committed to a thing.

You've probably read this far because some part of you has wanted to sort your smile out for a while. The people who are happiest they did it almost all say the same thing afterwards, which is that they wish they'd stopped putting it off sooner. A patient whose daughter had a complex case told us the whole thing was handled from start to finish, and that her daughter's confidence had skyrocketed. Another said his new crown looked and felt completely natural. That's the result we're after for you, a smile that looks like it was always yours.

The form below this video is the first step. Fill it in, tell us what's on your mind, and we'll take it from there.

Confirmation Page Video Scripts 6 scripts
Video 1: Welcome

Thanks for requesting a smile consultation with Iconic Smiles.

You're here because your smile has been taking up more space in your head than it should. Maybe you avoid a full smile in photos, or you've been looking at veneers and wondering whether they'd still look like you. The consultation gives the team a proper look at your teeth, your bite and what you want to change.

They'll talk through the treatment routes that fit your situation, whether that's porcelain veneers, composite bonding or work that needs to happen before cosmetic treatment. You'll see how a Digital Smile Design plan is built around your face before you decide whether to go ahead.

Over the next few days, we'll send a couple of short emails that answer the questions patients tend to carry into a consultation. Below are a few videos covering the same ground. Watch the ones closest to your situation, then bring the rest to the team when you come in. It lets your consultation spend less time on generalities and more time on your own smile.

We'll see you at Iconic Smiles.

Video 2: What Do Porcelain Veneers Cost?

Veneer pricing is usually the first practical question, and it deserves a proper answer rather than a number pulled from somebody else's case.

Iconic Smiles doesn't publish one veneer price because the treatment can mean very different things from person to person. A small repair to a front tooth, a set of veneers across the smile line, bite correction before treatment and a full smile makeover all require different planning and laboratory work.

Your consultation is where the team examines your teeth, listens to the result you want and maps the work that would get you there. If a Digital Smile Design plan is appropriate, it's designed around your face and your smile before treatment starts. You then receive a plan and a cost for your case, so you can make the decision with the scope in front of you.

The clinic does publish implant pricing separately. That page shows how widely a treatment plan can vary once materials and clinical needs change, which is why cosmetic work needs the same level of individual planning.

Bring any quote you already have. The team can explain what it includes and what your own plan would involve.

Video 3: Will My Veneers Look Fake?

The fear is familiar. You want a better smile, yet you've seen veneers that look too white, too thick or identical from tooth to tooth.

Iconic Smiles is a Digital Smile Design practice, and its veneer work is planned digitally around your actual face before treatment begins. That includes the proportions of your smile and the way it sits when you speak and laugh. The result should suit you, rather than follow a stock shape applied to every patient.

Its porcelain veneers are described as ultra-natural looking, with styles ranging from a brighter Hollywood look through to a softer natural smile. Your reference photos and preferences belong in that conversation. Say what you like, show the team what you dislike, and ask to see cases with the level of brightness and shape you have in mind.

One patient, Diana Chahoud, wrote that she was happy with the porcelain veneers planned with the team and that her new teeth restored her confidence. You can read the public reviews and judge the results in the practice's published case material before your appointment.

Video 4: What Happens If Veneers Aren't Right for Me?

Cosmetic treatment starts with the condition of your teeth and gums, plus the result you want to achieve.

At the consultation, the team looks at what's happening in your mouth and what would be required to create a stable result. Some patients are better suited to composite bonding, aligners, gum treatment or restorative work before veneers. Those options are part of the clinic's treatment range, and they're discussed where they fit the case.

You also get to see the direction of the smile design before treatment is underway. Digital planning gives the conversation something concrete to react to. If the proposed look feels too bright, too broad or unlike you, raise it while the design is being shaped.

The useful outcome from a consultation is a clear recommendation for your own teeth. If veneers aren't the route the team would recommend, they can explain the alternative and why it fits the condition they have examined.

Video 5: I'm Nervous About Dental Treatment. What Will the Visit Be Like?

Dental anxiety changes the way a person experiences every appointment. It deserves to be part of the plan from the beginning.

Iconic Smiles has a number of public reviews from patients who describe feeling supported through treatment. Maryam Salehi Pour wrote that calming music and breathing through the mask helped her feel at ease during an extraction. Kinda Saher described being talked through each step during a root canal and crown treatment, which helped settle her nerves.

Your first visit is the right place to tell the team what makes dental treatment difficult for you. They can explain the proposed work, pace the conversation around your questions and talk through the support available for the treatment you're considering.

You don't need to arrive with the language for every concern. Tell them what has put you off in the past and let them take it from there.

Video 6: How Can I Check That Iconic Smiles Is the Right Clinic?

Do your research before the consultation. Cosmetic dentistry is personal, and you should be comfortable with both the clinical plan and the aesthetic direction.

Iconic Smiles is located in Roselands and has a 5-star rating across 279 Google reviews recorded in the practice intelligence file. Read the reviews, including the detailed ones about veneers, bonding and more involved treatment. Look at the practice website and its Instagram work, then compare the style of smiles you see with the one you want.

For the clinical side, the practice identifies itself as a Digital Smile Design provider and its principal as a DSD master clinician. It also operates a fully digital in-house implant centre, with milling machines and 3D printers used for treatment planning and production.

At the consultation, ask to see examples relevant to your situation and ask how the proposed treatment is planned. The team should be able to take you through the clinical route and the aesthetic choices before you decide.

Pre-Appointment Email Sequence 8 emails
Email 1: Welcome + expectation set

Subject: Your smile consultation is booked
Preview: What happens next, and where to find us.

Your smile consultation with Iconic Smiles is booked. This email has the practical details so nothing catches you out.

You'll be seen at 183 King Georges Rd, Roselands. Parking is on site. When you arrive, let reception know you're here for a smile consultation and they'll take it from there.

The consultation itself is a conversation rather than a procedure. You'll sit down with Dr Matthew El-Azzi, talk through what you'd change about your smile, and he'll look at what's actually possible for your teeth. Porcelain veneers, composite work, or a full smile makeover, whatever fits. There's no drilling and no commitment on the day.

Over the next few days we'll send a handful of short emails. They cover what veneers should and shouldn't look like, how the pricing works, and what a couple of our patients went through. It's the stuff people usually only find out once they're in the chair, and we'd rather you had it before you walk in.

If you need to move the time, reply to this email and we'll sort it.

Dr Matthew El-Azzi
Iconic Smiles

Email 2: Objection, will it look fake

Subject: The veneers everyone can tell are veneers
Preview: The look we build against, and why.

You already know the veneers we mean. Too white, too big, too even. A row of teeth that belongs to a set rather than a face. If that look is what's holding you back from a smile consultation, it's worth reading this.

That result usually comes from one thing: removing too much tooth and bonding on porcelain that's thicker than it needs to be. The teeth end up bulky and they sit forward. Once you've seen it, you can't unsee it, and neither can anyone who meets you.

We build against that look at the design stage. The whole point of a natural veneer is that it matches your face, your lips, and the way you already talk and smile. Different shapes for different teeth. A white that reads as healthy instead of fluorescent. Enough translucency at the edges that light passes through the way it does in a real tooth. Done properly, people notice you look well, and they don't notice the veneers.

This is why Dr El-Azzi trained as a Digital Smile Design clinician. Before anything is cut, your new smile is designed digitally against your own face, so the shape and proportion are decided on a screen and not guessed at with a drill. More on how that works later in the week.

For now, the only thing to hold onto: natural is a choice made at the design stage. It's the one we make.

Email 3: Lesson case study

Subject: What Diana's veneers actually involved
Preview: Start to finish, in her words.

Most people looking at veneers want to see the after photo. But the after photo doesn't tell you what the process felt like, and that's usually the real question.

One of our patients, Diana, put it this way:

"I use to dread the dentist but Dr Matthew and the whole team at 'Iconic Smiles' completely changed my perspective! The atmosphere at the clinic is so modern and professional. Dr Matthew was so calm and supportive during my treatment plan, making sure I was happy with the porcelain veneers I was getting. My new teeth have transformed my smile and restored my confidence. I seriously couldn't be happier!!"

Read that back and notice what she leads with. Not the teeth. The dread. She walked in expecting the version of the dentist she'd learned to fear, and what changed for her was being talked through the plan until she was happy with it, before any work started.

None of that shows up in a before-and-after. A veneer case done well is mostly conversation and design, and the bonding is the short bit at the end. By the time we get there, you already know what you're getting, because you've seen it and agreed to it.

Diana is one of 279 reviews on our Google listing, sitting at 5 star. Have a scroll through them before your consultation. Read the ones about porcelain veneers, and read the ones from people who were nervous. They tend to be the same people.

Email 4: Objection, cost and how pricing works

Subject: What a smile consultation costs you
Preview: No price traps, no surprise quotes.

Cost is the question everyone has and nobody wants to ask first, so let's put it on the table.

Veneers are priced per case rather than off a menu. The reason is simple. Two people who both want a better smile can need very different work. One wants six front teeth refreshed. Another wants a full makeover across the top and bottom. Quoting a single number before we've looked at your teeth would either overcharge you or set an expectation we can't hold, so we don't.

What we can tell you is how the money works. At your consultation, Dr El-Azzi looks at your teeth, you talk through what you want to change, and you leave with a plan and a figure for that plan. It's specific to you, it's explained, and there's no obligation attached to it. You decide in your own time and not in the chair.

For the treatments where a fixed figure does make sense, we publish it openly instead of making you ask. Our full-mouth fixed implant cases start at $22,500 for the acrylic All on 4+ option and are listed by tier on our website. Veneers sit outside that because they're built to the case, but the same principle holds: you'll know the number before you commit to anything.

Come to the consultation with a rough sense of what you'd like changed. That's all we need to give you a real answer.

Email 5: Actionable asset

Subject: How to judge veneers on anyone you meet
Preview: A quick eye test for good work.

Use this whether or not you ever sit in our chair: three details to look for when you see veneers on anyone.

Look at the edges. Natural teeth are slightly see-through at the biting edge, where light passes through. Cheap veneers are flat and opaque all the way down, which is why they can look like tiles.

Then look for variation. Real teeth aren't identical, so the two front teeth are usually a fraction longer and the shapes differ tooth to tooth. A smile where every tooth is the same size and shape reads as fake even when someone can't say why.

Check the gum line too. Good veneers meet the gum cleanly, with the tooth proportions sitting right against it. Bulky ones push the gum or sit proud of it, and over time that's where they look their worst.

Take those three into your consultation. When Dr El-Azzi walks you through the design, you'll know exactly what you're looking at, and you'll ask sharper questions. We'd rather you came in informed than impressed.

Email 6: Objection, dental anxiety and reviews

Subject: If the dentist makes you nervous
Preview: Music, mask, and a slower pace.

If part of you is dreading the consultation because it's the dentist, you're not the exception. You're most of the people who walk through our door for cosmetic work.

The room doesn't look or feel like the surgery you're picturing. Patients tell us it reads more like a resort than a clinic, and that's deliberate. Calming music plays. There's a breathing mask to settle your nerves rather than just help with a procedure. The pace is set by how you're doing and not by a schedule.

One of our patients, Maryam, put it plainly after an extraction:

"The calming music and relaxing breathing through the mask helped me feel comfortable and at ease throughout the procedure. Dr Matthew El-Azzi and the team took excellent care of me from start to finish, making sure I felt supported and comfortable the entire time."

And remember, the consultation isn't a procedure at all. Nothing happens to your teeth. It's a conversation, so you talk, you look at options, and you leave. If nerves have kept you away from fixing your smile for years, the consultation is the low-stakes way back in.

If you'd feel better mentioning something ahead of time, reply to this email and it'll be waiting in your notes before you arrive.

Email 7: Design and mechanism (DSD)

Subject: Seeing your new smile before we touch a tooth
Preview: How Digital Smile Design works.

The single thing that separates a smile you're happy with from one you settle for is being able to see it before it's permanent. That's what Digital Smile Design does, and it's worth understanding before your consultation.

The idea is simple. Rather than describing what your smile could look like, we design it digitally against photos and scans of your own face. Its proportions, tooth shapes, smile width, and how it sits with your lips are all decided visually on screen while you watch and give feedback.

That changes the whole conversation. Rather than relying on a description or stock example, you're looking at your own face with the new smile on it, saying more of this and less of that until it's right. Only then does any work begin, guided by the design instead of done by feel.

It's why Dr El-Azzi's veneer patients travel to Roselands from across Australia, and why he teaches this approach to other clinicians. That precision helps results look like they were always yours.

At your consultation, this is where a lot of the time goes. Come ready to be picky. It's the one point in the process where changing your mind costs nothing.

Email 8: Final prep

Subject: Your consultation is tomorrow
Preview: What to bring, what we'll cover.

Your smile consultation is tomorrow. A few things will help you make it count.

Bring a rough idea of what you'd change, and it doesn't have to be technical. "I hate the gaps," "my teeth feel too small," or "I want them whiter but not fake" all give Dr El-Azzi exactly what he needs. If there's a smile you've saved a photo of, bring that too.

We'll cover what you want to change, what's realistic for your teeth, whether porcelain veneers, composite work or a fuller makeover fits best, and a clear figure for the plan we land on. You'll leave knowing your options and the cost, with no obligation to book anything on the day.

We're at 183 King Georges Rd, Roselands, with parking on site. Give yourself a couple of minutes to settle in when you arrive.

If anything's changed and you need a different time, reply to this email and we'll move it.

See you tomorrow.

Dr Matthew El-Azzi
Iconic Smiles




## Asset Checklist

- Google reviews listing link (5 star across 279 reviews), referenced in Emails 3 and 6
- Consultation booking / reschedule reply path, referenced in Emails 1, 6, 8
- Optional short DSD walkthrough video to pair with Email 7 text
- Optional clinic-interior photo or video to pair with Email 6 text

Broadcast Emails 4 emails
Email 1: Subject A: the two veneer looks

Preview: Most people picture one kind of veneer. There are really two.

Subject B: what a smile makeover actually decides

Most people picture one thing when they hear the word veneers: a row of bright, uniform, slightly-too-perfect teeth. The Hollywood look. It's real, and plenty of people want exactly that.

What they don't realise is there's a second option that reads as nobody's business but yours. Slight variation between the teeth. Edges that catch light the way natural enamel does. A shade that suits your skin, not a lighting rig.

At Iconic Smiles we plan both, and the planning is where the result is won or lost. Digital Smile Design maps the new smile against your face, your lips, and the way you talk and laugh before a single tooth is touched. You see the outcome first. Then we build to it.

The teeth looking too bulky or too obvious is the fear almost everyone walks in with. It comes from cases that were shaped by hand and hoped for the best. Design the smile digitally and most of that uncertainty disappears.

If this has been on your mind for a while, the first move is a consultation where we show you what your own smile could look like. No decision on the day.

Dr Matthew El-Azzi
Iconic Smiles

Email 2: Subject A: the resort thing isn't a gimmick

Preview: The calming room does more than feel nice. It changes who books.

Subject B: for people who dread the chair

There's a line that shows up again and again in what patients tell us afterwards: they used to dread the dentist.

Diana wrote it plainly. "I use to dread the dentist but Dr Matthew and the whole team at 'Iconic Smiles' completely changed my perspective!" Ronda put it another way: "you feel like you've stepped into a 5-star resort with the calming mood and beautiful decor."

The calm room isn't decoration for its own sake. Dental anxiety is the single biggest reason people who want a better smile never book one. Music, a mask you can breathe through, and someone explaining each step before it happens are the difference between a person who books and a person who keeps putting it off for another year.

None of that changes the clinical work. The veneers, the design and the surgical skill sit underneath all of it. What the room changes is whether an anxious person ever gets far enough to see the result.

If dread has been the thing stopping you, that's worth knowing before you write off the idea entirely.

Dr Matthew El-Azzi
Iconic Smiles

Email 3: Subject A: why patients fly in for teeth

Preview: A smile makeover is usually spread across three providers. Here it isn't.

Subject B: everything in one building

A full smile transformation is often stitched together across separate providers. One place scans, another mills the veneers, a third handles anything surgical. Every handover is a chance for the plan to drift, and the person holding it together is usually you.

We built the practice the other way. Design, milling machines, 3D printers and implant work all sit in one location under one clinician. The plan you approve is the plan that gets made, because the same hands see it from scan to fitting.

That's part of why veneer patients travel from around Australia rather than staying local. The result matters to them, and so does being spared the job of project-managing their own mouth across a city.

Dr El-Azzi is a Digital Smile Design master clinician, and the reviews reflect what that consistency produces: 5 star across 279 Google reviews.

If a single trusted provider for the whole thing is what you've been looking for, a consultation is where we walk you through how it works.

Dr Matthew El-Azzi
Iconic Smiles

Email 4: Subject A: composite or porcelain

Preview: They get talked about as the same thing. They solve different problems.

Subject B: which veneer is actually right for you

Composite and porcelain veneers get talked about as if they're the same decision at two price points. In practice they solve different problems.

Composite is shaped directly onto the tooth in one visit. It's reversible, it's kinder to the underlying tooth, and for smaller corrections it can be all someone needs. Amanda's daughter had composite bonding on her six front teeth, and Amanda's words were that her confidence "has just skyrocketed."

Porcelain is made in the lab, holds its colour longer, and handles a full smile redesign that composite can't carry alone. It's the choice when the goal is a complete transformation rather than a refinement.

The right answer depends on your teeth, your goal, and how much you want changed. Anyone who tells you one is simply better than the other before looking in your mouth is selling, not planning.

Working out which fits your case is the whole point of the first consultation. You leave knowing what your options actually are.

Dr Matthew El-Azzi
Iconic Smiles

5
Image Ads
Scroll-stopping static creatives mapped to funnel stage
10
Video Ad Scripts
Platform-ready variations across angles and audiences
2
Funnel Pages
Landing page and confirmation page for your funnel
1
Long-Form Explainer Video Script
Full video sales letter, written in your brand voice
6
Confirmation Page Video Scripts
Breakout content for education and trust
8
Pre-Appointment Email Sequence
Confirmation-to-appointment nurture sequence
4
Broadcast Emails
Email sequence

How the pieces fit together.

Every asset above plugs into one place in this flow. Once it's running, the only thing you see is qualified bookings on your calendar.

Paid Ads

Video + image Meta ads

Landing Page

VSL explainer to sell the offer

Application Form

Filters unqualified prospects

Qualified

Meets criteria

Book Appointment

Automated scheduling

Paid Client

Closed on the call

Not Qualified

Doesn't meet criteria

Rejected

Redirected away

Email Nurture

Ongoing email sequence

Done for you.

We handle every piece of the build, deployment, and the first 30 days of campaign management. You film, we run.

Done by us24 items

  • Full VSL Funnel build and implementation
  • AI competitor and market analysis
  • Messaging and ad angle research
  • Audience targeting strategy and research
  • Video Sales Letter written in your brand voice
  • 20+ scripted social media video ads across multiple angles based on current market behaviour
  • Hook and headline variations for every ad
  • Static image ad creative pack
  • Pre-appointment email sequence
  • General email marketing sequence
  • Booking confirmation page video scripts
  • Production notes for filming all scripted content
  • All content editing
  • Landing page and confirmation page design, deployment and hosting
  • Lead qualifier form
  • Software integration and automation
  • Email campaign setup
  • Meta Pixel setup and conversion tracking
  • Meta ads campaign setup
  • Retargeting ad campaign for warm traffic
  • Ongoing campaign management
  • Ongoing creative testing and ad refresh
  • 24/7 direct messaging access
  • Full in-depth funnel performance reporting

Needed from you2 items

  • Film scripted video content
  • Guest access to software

Things people ask before booking.

If yours isn't here, it's the first thing we'll cover on the call.

So you just used ChatGPT?
ChatGPT isn't in our stack. We've built proprietary AI workflows that allow us to research your market, analyse your competitors, and produce finished deliverables with a level of speed, relevance, and accuracy that would normally take a full agency weeks. That's our competitive edge. Every piece of content you see on this page was built from original research into your brand, your audience, and what's actually working in your market right now.
What's a VSL funnel?
A VSL is a video sales letter. It's a long-form explainer video designed to call out a real pain point in your market, position you as the expert in your field, and lay out why your offer is the obvious solution. The funnel is the system built around that video. It runs on autopilot: ads bring in viewers, the VSL sells them, a qualifier filters out anyone who isn't a fit, and email sequences follow up with everyone else. The goal is to ethically serve as many new clients as possible without you manually chasing every lead.
Can't I just use these deliverables on my own?
Absolutely. Everything on this page is real, finished work you can take and start using in your business this week. Scripts, emails, ad copy, funnel strategy, it's all yours regardless of whether we work together. What we've found is that most business owners start strong but get buried in the technical side: setting up automations, configuring ad campaigns, building landing pages, connecting tracking. It adds up fast. That's why we offer a complete done-for-you service. We handle every piece of the implementation so nothing stalls and the system actually launches.
What exactly do you do?
We put more clients through your door. The marketing systems on this page are well-established, proven to work for service-based businesses, and used religiously by the biggest players in every industry. Every piece is already built for you. We implement the full system, launch it, and make data-driven adjustments along the way to keep performance improving.
What do I get out of it?
Qualified booked appointments through this funnel - and you only pay per qualified booked appointment. These are warm prospects who have already watched your VSL, understand your offer, and chosen to book. You're closing warm leads, not pitching cold ones. Once the system is producing, it scales: the same funnel can deliver 5x the volume with incremental budget increases. You only pay for the qualified booked appointments we produce.
How will this work for me?
These systems work because they follow the same structure that the highest-performing service businesses in the world use to acquire clients through paid media. The difference is that every piece has been customised around your specific brand, your positioning, and the gaps we found in your market. None of it's generic. We launch, watch the data, and optimise based on what the numbers tell us.
How do I film scripted content?
We give you the revised scripts with production notes and you film them however works best for you. Showing your face is preferred but not a requirement. You can film on your phone, read from a teleprompter if you have one, or record line by line. We handle all the editing. The scripts provided on this page can be knocked out in a single afternoon.
I've tried ads and they didn't work.
That usually means the ads were running without a system behind them. Our ad strategy starts by using AI to analyse which ads are generating the most revenue in your industry right now. From there, we build many variations that run simultaneously. Not every ad will be a winner. It's a game of maths and probability, and by running enough variations, the winners surface fast. The other piece is that the ads are only the top of the funnel. Every viewer who clicks gets sent to a page built to nurture them through the rest of the system: the VSL sells, a form qualifies, and email follows up. The ads work because everything behind them is designed to convert.